Completed in 2002, this ensemble of four bronze sculptures was installed in Shengli Square, Anshan, surrounding the central monument Prosperous Age.
Combining realistic human figures with abstract structural forms, the four works represent different aspects of Anshan’s urban identity: construction, ecological development, the steel industry, and the landscape of Qianshan.
Urban Construction A powerful human figure pushes into a group of interlocking geometric forms. The body and the architectural structures are compressed into a single composition, expressing the force and momentum of urban development.
Urban Greening A female figure is intertwined with large leaf-like forms. The human body and plant structures overlap and extend through one another, reflecting the relationship between urban life and the natural environment.
Ansteel A working figure braces and supports massive industrial components. The contrast between the human body and the heavy geometric structures refers to Anshan’s steel industry and the labour on which the city was built.
Qianshan A female figure moves among abstracted mountain forms and flowing planes. The work draws on the distinctive landscape of Qianshan, transforming the local mountains into a dynamic sculptural structure.
Together, the four sculptures bring industrial history, urban construction, ecological space, and regional landscape into a unified public-art ensemble. Positioned around the central monument, they connect the larger civic symbol with the everyday scale of the square.
《胜利广场四组主题雕塑》创作于2002年，设置于辽宁鞍山胜利广场，与中央主雕《盛世》共同构成广场公共艺术景观。
四件作品将写实人物与抽象结构结合，分别表现城市建设、城市绿化、鞍钢工业与千山景观，从不同角度呈现鞍山的城市特征。
城市建设 健硕的人物向前推动相互穿插的几何构件，人体与建筑结构被压缩进同一构图之中，表现城市建设中的力量感与推进感。
城市绿化 女性人体与大型叶片形态相互交织，人物与植物结构彼此延伸，呈现城市生活与自然环境之间的关系。
鞍钢工业 劳动者支撑、推动厚重的工业构件。人体与巨大几何结构之间形成强烈对比，指向鞍山的钢铁工业以及支撑城市发展的劳动力量。
千山 女性人物穿行于抽象山体与流动曲面之间。作品从千山的地域景观中获得造型来源，将山势转化为具有运动感的雕塑结构。
四件作品分别从工业、建设、生态与地域景观四个方面展开，与中央主雕形成整体空间关系，也将宏观的城市主题转化为接近行人尺度的公共艺术形象。