This sculpture takes inspiration from the lovebird, a species native to the Huangshan region, tr anslating its vitality and presence into an abstract sculptural form.
Rather than portraying the bird figuratively, the work emphasizes posture, tension, and upward movement. Intersecting lines and open structure suggest alertness, connection, and continuity—qualities associated with the bird’s symbolic character.
Situated in an academic environment, the sculpture functions less as a representation of nature and more as a spatial expression of energy and relationship, allowing local imagery to evolve into a contemporary public form.
这件雕塑取材于黄山本土物种爱情鸟，将其生机气韵与灵动姿态凝练为抽象的雕塑形态。 作品并未采用写实手法刻画鸟类形象，而是着重凸显体态张力与向上的动态美感。交错的线条与通透的结构，诠释出灵动警觉、联结共生与生生不息的特质，契合爱情鸟本身的象征意蕴。 该雕塑坐落于学术环境之中，弱化了对自然物象的单纯复刻，转而以空间形态诠释能量与人文联结，让本土地域意象蜕变为极具现代感的公共艺术形态。