This sculptural series responds to extreme spatial limitation rather than symbolic display. Installed within a narrow streetscape, the work negotiates proximity, movement, and visibility without obstructing pedestrian flow.
Referencing the Jiubu—the musical divisions of the Tang dynasty—the sculptures avoid literal representation of instruments. Historical reference is condensed into rhythm, spacing, and repetition.
The project treats constraint as structure. Cultural memory is embedded through spatial logic, allowing historical form to coexist with contemporary urban circulation.
这组雕塑系列作品旨在应对极致的空间限制，而非用作象征性展示。 作品安置在狭窄街道景观之中，在兼顾近距离观感、动线与人眼可视性的同时，不会阻碍行人通行。 作品借鉴唐代乐律“九部乐”，并未对乐器进行写实复刻。历史文化意象凝练为节奏、间距与重复的艺术语言。 该创作项目将空间约束转化为创作架构，依托空间逻辑植入文化记忆，让古典形制与当代城市通行空间相融共生。