Completed in 2005, Charm of Yangko Dance is a six-metre-high stainless-steel sculpture installed in Shenyang, Liaoning Province.
The composition unfolds horizontally through six stylized dancers. Angular bodies, fan-shaped planes, and sweeping curved bands are connected into a continuous sculptural sequence. A vivid red painted surface unifies the separate figures and gives the work a strong presence within the open urban space.
Rather than modelling the dancers as solid, realistic bodies, the work reduces their torsos and limbs to folded planes, sharp diagonals, and simplified silhouettes. Long arcs pass above, behind, and between the figures, transforming individual gestures into a shared rhythm.
Repeated fans and alternating poses create a visual pulse across the entire group. The open spaces between the figures allow the surrounding trees, architecture, and sky to enter the composition, reducing the visual weight of the metal structure.
Inspired by the festive movement of northeastern yangko traditions, the sculpture translates folk dance into a contemporary abstract language. Its focus is not on reproducing a single performance scene, but on expressing collective movement, rhythmic continuity, and the energy of public celebration.
《秧歌神韵》创作于2005年，设置于辽宁沈阳，整体高度约6米，采用彩色不锈钢制作。
作品由六位抽象化舞者组成，以几何化人体、扇形构件和大尺度弧形钢带串联成横向展开的连续群像。鲜明的红色漆面将不同人物统一在同一视觉结构之中，使作品在开放的城市空间里具有强烈的识别度。
人物并未采用完整写实的实体塑造，而是将躯干与四肢概括为折叠曲面、锐利斜线和简化轮廓。长弧线从人物上方、身后及彼此之间穿过，把原本独立的舞蹈动作连接为共同的运动节奏。
反复出现的扇面与相互错落的姿态，在整组作品中形成连续的视觉律动。人物之间保留大量开放空间，使建筑、树木和天空能够穿入雕塑内部，也减轻了大型金属结构的厚重感。
作品从东北秧歌热烈、欢快的集体舞蹈中获得灵感，并以现代抽象雕塑语言重新组织人物与动作。它并不具体复刻某一个表演瞬间，而是着重表现集体舞动、节奏传递与公共庆典的生命力。