Created in 2009, Flute of Integrity is installed at the main entrance of Shanhai Square in Bayuquan, Yingkou, facing the sculpture Princess Bayu across the public space.
The work takes the form of an enlarged horizontal flute. A continuous ribbon-like structure winds around the flute, curves downward, and rises into two open, leaf-like forms. A suspended tablet decorated with traditional patterns hangs beneath the composition.
The flute, ribbon, and tablet are combined into a single flowing structure. The long horizontal body establishes a sense of stability, while the surrounding curves introduce movement and visual rhythm. The turquoise-painted surface recalls the colour and visual character of jade.
Inspired by the local legend associated with Princess Bayu, the sculpture connects the flute with ideas of promise, trust, and fidelity. Rather than illustrating the story directly, it transforms its symbolic object into a monumental public form.
Positioned at the entrance to Shanhai Square, the work functions as both a spatial marker and a narrative counterpart to Princess Bayu, linking the experience of arrival with the coastal cultural memory of Bayuquan.
《诚信笛》创作于2009年，设置于辽宁营口鲅鱼圈山海广场主入口，与广场内的《鲅鱼公主》形成空间上的对望关系。
作品以放大的横笛为主体。一条连续的绶带状结构缠绕笛身，向下回旋后再次上升，最终展开为两片叶瓣般的开放形态；下方垂挂一块饰有传统纹样的牌形构件。
横笛、绶带与玉牌被组织成一个连续流动的整体。修长的水平笛身形成稳定的视觉轴线，环绕其间的曲线则为作品带来运动感与节奏变化。青绿色涂装使金属结构呈现近似玉器的色彩与质感联想。
作品取意于《鲅鱼公主》相关地方传说，将笛子与承诺、信任和守信等观念联系起来。雕塑没有直接复述故事情节，而是把传说中的象征性器物转化为具有纪念尺度的公共艺术形象。
作为山海广场入口处的空间标志，《诚信笛》既承担门户识别功能，也与《鲅鱼公主》共同构成关于地方海洋文化与民间传说的叙事关系。