Conceived as a large-scale public sculpture rooted in local folklore, Princess of the Mackerel Bay draws from a regional legend associated with Bayuquan’s coastal identity.
Rising directly from the sea, the female figure lifts a spherical form above her head, merging mythological imagery with monumental scale. The work’s primary challenge lay not in symbolism, but in realization: offshore construction, structural stability, and installation within a marine environment became central components of the sculpture’s meaning.
Rather than functioning solely as a commemorative monument, the project marks a shift toward an exploration of body, environment, and engineering. The sculpture exists in continuous dialogue with water, weather, and distance—where myth is sustained not through narration, but through physical persistence within a volatile natural setting.
这件名为《鲅鱼公主》的大型公共雕塑取材于当地民间传说，依托鲅鱼圈滨海地域特色相关的地方神话创作而成。 雕像女性主体自海面拔地而起，头顶托举球体造型，将神话意象与宏大的巨型雕塑体量融为一体。这件作品创作的核心难点不在于象征寓意的设计，而在于落地建造：海上施工、结构稳固性以及海洋环境下的安置搭建，共同构成了这座雕塑内涵的核心载体。 该作品并非单纯的纪念性雕像，它代表着创作方向的转变，开始探索人体、自然环境与工程建造三者间的关联。这件雕塑始终与海水、气象、远阔海域产生持续呼应——神话的存续不再依靠文字叙事，而是依托雕塑在变幻莫测的自然环境中长久矗立的实体本身。