SHUQING SHI（史抒青） — SYSTEM
STRUCTURAL BUG ART｜结构 BUG 艺术
Founder of Structural BUG Art · 2026
结构 BUG 艺术创始人 · 2026
Sculptural structures evolved through deliberately manipulated software failures.
通过主动操纵软件故障，持续演化出的雕塑结构。
Structural BUG Art is the overarching artistic framework of my current digital sculpture practice. Software failure is deliberately induced and actively manipulated so that sculptural structure can continue to evolve.
结构 BUG 艺术是我当前数字雕塑实践的总艺术框架。通过主动诱发并操纵软件故障，使雕塑结构持续演化。
For more than thirty years, I have worked in sculpture, moving from public sculpture and urban monuments to digital sculpture, virtual bodies, and system-based image generation. I founded the Beijing Digitalized Sculpture Association and served as its founding president for ten years.
This path began with form, material, volume, and public space. Over time, the work moved away from the single finished object and toward structure, repetition, transformation, and long-term operation.
I was never only shaping form. I was approaching structure.
Now I no longer create single works as isolated objects. I build systems.
VOID & BUG is an ongoing project within Structural BUG Art. VOID and BUG come from the same source body, but move toward two different outcomes. VOID dissolves the form. BUG corrupts the form. One moves toward reduction, silence, and emptiness. The other moves toward error, rupture, mutation, and excess.
This is not a portfolio. This is a running structure.
SQ-SHI — SYSTEM is the current form of this long process: a digital sculpture system, an archive in progress, and a visible record of how form enters emptiness, error, market, memory, and time.
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我从事雕塑创作三十余年，创作路径从公共雕塑、城市纪念性雕塑，逐渐转向数字雕塑、虚拟形体与系统化图像生成。我是北京数字化雕塑协会创办人、首任会长，任职10年。
这条路最初从形体、材料、体量与公共空间开始。后来，作品逐渐从单件完成物，转向结构、重复、变形与长期运行。
我从不只是塑造形体。 我是在接近结构。
如今我不再把作品理解为一件件孤立的物体，而是构建一套持续运行的系统。
《空 & BUG》是结构 BUG 艺术中的一个持续项目。《空》与 BUG 来自同一个源体，却走向两种不同结果。《空》使形体消解，BUG 使形体崩坏。一个走向减法、寂静与空；另一个走向错误、撕裂、变异与过剩。
这并非一份作品集。 而是一套持续运转的结构。
SQ-SHI — SYSTEM 是这条长期路径在当下的形态：它是一个数字雕塑系统，一个仍在生成中的档案，也是一份关于形体如何进入空、错误、市场、记忆与时间的可见记录。
DIGITAL SCULPTURE｜数字雕塑
I understand digital sculpture not as the use of digital tools to imitate clay, but as a sculptural language born through digital generation itself. Form is no longer shaped by matter alone; it emerges through replication, displacement, mutation, rupture, and reconstruction. My works may remain as memories of the digital era—situated after traditional sculpture and before the age of fully AI-generated form.
我所理解的数字雕塑，并不是用数字工具模仿泥塑的效果，而是让数字生成本身成为雕塑语言。形体不再由泥土塑造，而是在复制、错位、变异、破裂与重组中产生。我的作品或许会成为数字时代留下的一部分记忆——处在传统雕塑之后，也处在人工智能全面生成之前。
PUBLICATIONS & PRESS｜出版与媒体
Louvre Unbound · Vol. 9
November 2026 · pp. 46–47
A two-page feature on Shuqing Shi (SQ-SHI)’s Structural BUG Art in the “Step into the World of” section, presenting four digital sculptures and an introduction to his practice.
2026年11月 · 第46—47页
史抒青（SQ-SHI）的结构 BUG 艺术专题刊载于《Louvre Unbound》第9期“Step into the World of”栏目，呈现四件数字雕塑作品及创作介绍。
PUBLISHED ESSAY｜公开文章
In May 2026, I published the essay The Misconception of Digital Sculpture: Beyond Technical Innovation, New Artistic Concepts Are Needed on Yachang Art Network.
In this essay, I argued that the value of digital sculpture does not lie in using new tools to reproduce traditional sculptural forms. Its real significance lies in generating a new artistic language, a new spiritual dimension, and new modes of creation for the digital age.
This position also informs my digital sculpture practice and the ongoing project VOID & BUG within Structural BUG Art.
2026 年 5 月，我在雅昌艺术网发表文章《数字雕塑的误区：技法革新之下，更需要艺术观念的新生》。
文章中，我提出：数字雕塑的价值，并不在于用新工具复刻传统雕塑形态，而在于生成属于数字时代的艺术语言、精神维度与创作方式。
这一判断，也影响着我的数字雕塑实践，以及结构 BUG 艺术中的持续项目 《空 & BUG》。
→ Read the essay on Yachang Art Network
CONTACT
system@sq-shi.art